About the Team
Our Authors
Lindsay Warren Baker has a passion for all aspects of the theater. In addition to adapting Pride & Prejudice for the musical stage, she co-wrote the book for DANIEL: The Musical; wrote a one-woman play entitled Thirst; choreographed an original movement theater piece called “Train of Thought” and developed an ensemble movement piece at The Dragon’s Egg (Mystic, CT), in association with the Mystic Paper Beasts, entitled “Cirque Mystere: The Fairy Element.” Some of Ms. Baker’s directing credits include A Way Out of Madness, Anne of Green Gables, Molly’s Dream and a variety of opera scenes in Making a Scene: Did You Get My Message? She is also a stage manager, performer and choral conductor. She has worked with numerous community organizations and has had professional engagements with Mercury Opera Rochester, Roberts Wesleyan College Community Theater, Rochester Shakespeare Players, Rochester Opera Factory, Downstairs Cabaret Theater and the Ohio Light Opera. Currently, Ms. Baker is the Production Stage Manager for Eastman Opera Theatre at the Eastman School of Music. She is also an artist educator for Young Audiences of Rochester, New York and has served as a faculty member for BOCES #1 School of Performing Arts in Rochester, New York. She received her BA in theater and music from St. Olaf College (Northfield, MN) and trained at the O’Neill National Theater Institute (Waterford, CT) and Moscow Art Theater in Russia. She is an alumna of Penfield High School in Penfield, NY. Amanda Jacobs is an extremely versatile musician. She earned her Bachelor of Music degree in Piano Performance from Wesleyan College in Macon, Georgia, and went on to other graduate studies in piano pedagogy, voice, jazz theory and organ. For many years she taught piano, performed as a chamber musician and provided service music for liturgical churches. After moving to Rochester, New York in 1996, she discovered her talent for composition when she was inspired to compose DANIEL: The Musical. In completing the four-year project, she discovered her flair for orchestral composition and arranging. She also created original orchestrations for the revival of Sigmund Rombcrg’s Maytime for the Ohio Light Opera in Wooster, Ohio. In addition to creating the music and lyrics for Jane Austen’s Pride and Prejudice, A Musical Play, Ms. Jacobs composed a set of art songs based on Robert Louis Stevenson’s poetry which was a finalist in the 2002 National Association of Teachers of Singing (NATS) composition competition. She also has scored several animated films for RIT animation students, two of which ("One by Two" and "Up") have received numerous awards and screenings. Recently she composed original music for the Roberts Wesleyan College Community Theatre’s production of Anne of Green Gables. Currently she is an artist educator for Young Audiences of Rochester, New York. Our Producer Lori Smith Bajorek doesn’t understand the meaning of the word, “no,” which is an excellent quality for a first-time theatrical producer. She has managed to attract a highly-regarded, veteran Broadway team for her first project, and is equally adept at attracting investors. Born and raised in upstate New York, Ms. Bajorek trained as a dancer at the University of Buffalo before realizing that she wasn’t cut out to be a starving artist. In her first year as an insurance agent, she generated more than $1,000,000. The following year, she started her own insurance agency, The Bajorek Agency, in Pittsford, NY, where she now resides with her husband, Ronald G. Bajorek, Jr. and her children, Alia and Trip. Our Executive Producer In addition to being Executive Producer, Donald C. Farber, Esq. is the attorney for the production. Having made a name for himself with the long-running musical, The Fantasticks, Farber is also the author of ten books on producing theatre and other aspects of the entertainment industry, and the general editor of the ten-volume set, Entertainment Industry Contracts. Mr. Farber has taught Producing Theatre in law schools all over the U.S. and Canada and at the New School for Social Research in New York City. Our Associate Producer & Director Michael McGoff has worked with Director Mark Lamos on Broadway as Production Stage Manager and Associate Director on Cymbeline, The Rivals and Seascape. Other Broadway credits include Festen, Butley and Wicked. McGoff has worked extensively Off-Broadway and regionally, as well as with two joyous productions in The Public's Shakespeare In the Park, As You Like It and Romeo & Juliet. He produced the Regional Premiere of PHAMALy's Side Show at the Denver Center. Our Producers Jared C. Neff is currently working in the nation’s capital at the Tony Award-winning Arena Stage. Before that, Neff coordinated several concerts and Broadway tours for the Fabulous Fox Theatre in St. Louis, Missouri, where he also studied Stage Management at the Webster University Conservatory of Theatre Arts. Our Assistant to the Producer John Quinlivan is a Theatrical Management and Production professional with more than 25 years of experience in the business. He received his BFA from Purchase College’s Theatre Conservatory in 1987. Quinlivan has worked for various theatre companies including The Tri-Cities Opera, Pepsico Summerfare and a 20-year stint at Geva Theatre Center in Rochester, NY, where he was Managing Director from 2002 – 2007. Our Casting Director Tara Rubin has cast more than two dozen Broadway musicals in the last five years, including Spamalot, Jersey Boys, Mary Poppins, The 25th Annual Putnam Spelling Bee, Mamma Mia! and The Producers (as well as its film version). She also casts for Second Stage Theatre Company, Yale Rep, La Jolla Playhouse and Williamstown Theatre Festival. Most recent work includes Young Frankenstein, Shrek and The Little Mermaid. Rubin is an honors graduate of Boston University and a board member of the Casting Society of America. Our General Manager Charlotte Wilcox has managed a number of plays, some of which are: (Broadway) The Drowsy Chaperone, The Times They Are A-Changin’, The Wedding Singer, Dirty Rotten Scoundrels, Bombay Dreams, Taboo, By Jeeves, The Full Monty, Jesus Christ Superstar, Ragtime, Chicago, Grease!, Damn Yankees, Play On, On the Waterfront, Fiddler on the Roof and Cat on a Hot Tin Roof. (Tours) Sunset Boulevard, Ragtime, Grease!, Damn Yankees, Busker Alley, City of Angels, Oba Oba, Chicago, Steel Magnolias, On Your Toes and La Scala Ballet. Our Musical Director Fred Lassen is currently Associate Conductor for the multiple 2008 Tony Award-winning Broadway revival of South Pacific. He was Conductor for Dirty Rotten Scoundrels, Assistant Conductor and pianist for 42nd Street and Assistant Music Director and keyboardist of the Kit Kat Band in Cabaret. Our Director Mark Lamos is a Tony Award-nominated director as well as a manager, producer and actor. During his reign at the Hartford Stage as Artistic Director from 1980 to 1997, the company won the 1989 Tony Award for Outstanding Regional Theatre. Hartford’s productions of Einstein and the Polar Bear, Is There Life After High School?, Stand-Up Tragedy and Our Country's Good all transferred to Broadway. Lamos himself directed the last (Nederlander), which was nominated for two Tony Awards in 1991: Best Direction of a Play and Best Play. Additional New York directing credits include Cymbeline, Seascape and The Rivals (Lincoln Center), The Deep Blue Sea (Roundabout) and The Gershwins'Fascinating Rhythm (Off Broadway). Lamos also directed Much Ado About Nothing for the Shakespeare Theatre in Washington, D.C., Giuseppe Verdi's I Lombardi at the Metropolitan Opera House, and John Harbison's operatic adaptations of Winter’s Tale and The Great Gatsby.
The Road to Broadway
Our Timeline
Summer, 1997: (Ticonderoga, NY) Our journey begins when Lindsay and Amanda meet and begin collaboration on DANIEL: The Musical. Summer, 2000: (Rochester, NY) The pair discovers a mutual interest in Jane Austen. October, 2000: (Boston, MA) Lindsay and Amanda attend Jane Austen Society of North America (JASNA) annual general meeting, and begin research on Pride and Prejudice. October, 2001: (Seattle, WA) The pair attends JASNA annual general meeting and continues Pride and Prejudice research January, 2002: (Rochester, NY) Table reading of first script takes place at Penfield Public Library. October, 2002: (Toronto, ON) Authors attend JASNA annual general meeting and present “Translating Jane Austen: The Characters of Pride and Prejudice in Song.” December, 2002: (Rochester, NY) Lindsay and Amanda are special guests at a Rochester Jane Austen Society luncheon. They present “Translating Jane Austen: The Characters of Pride and Prejudice in Song”. March, 2003: (Rochester, NY) Authors present “Translating Jane Austen: The Characters of Pride and Prejudice in Song” at Penfield Public Library’s “March into Arts” series. July, 2003: (England) Lindsay and Amanda are “in search of Mr. Darcy” during a research trip to England. They visit all places mentioned in the novel, as well as Jane Austen’s home at Chawton Cottage, which inspires her character in their musical. December, 2003: (Rochester, NY) The pair attends JASNA Rochester’s Annual Birthday Luncheon and present “Translating Jane Austen: Characters in Context.” April, 2004: (Rochester, NY) Eastman School of Music presents a workshop production of Pride and Prejudice: A Musical in Three Acts, directed by Steven Daigle. Fall, 2004: (Rochester, NY) First demo is recorded. July, August 2006: (Wooster, OH) Jane Austen’s Pride and Prejudice, A Musical Play receives its World Premiere at The Ohio Light Opera, directed by Steven Daigle. Fall, 2006: The road to Broadway begins with Lindsay and Amanda’s meeting with Broadway attorney, Donald Farber. Rochester’s Lori Bajorek becomes Producer; Donald Farber becomes Executive Producer and attorney for the show. Charlotte Wilcox signs on as General Manager; Mark Lamos agrees to direct. February, 2007: (NYC) First one-week staged Equity reading takes place at The New 42nd Street Studios, directed by Mark Lamos. Polly Bergen narrates, and the story makes PLAYBILL. March, 2007: (Rochester, NY) The Arts & Cultural Council of Greater Rochester presents an informative program on the ongoing project. August, 2007: (NYC) Second one-week staged Equity reading takes place at The New 42nd Street Studios, directed by Mark Lamos, followed by a presentation at Sardi’s. September, 2007: (NYC) Broadway demo is recorded at Sear Sound. October, 2007: (Vancouver, B.C.) Authors attend JASNA annual general meeting to promote show. December, 2007: (NYC) Authors attend JASNA New York City’s Annual Birthday Meeting to present “Finding the Voice of Elizabeth Bennet.” January, 2008: (Rochester, NY) Lindsay and Amanda are interviewed by WXXI 1370’s Brenda Tremblay. The story is picked up nationally by NPR. Producer Lori Bajorek completes Broadway Theatre League’s Producer’s Course. March, 2008: (Rochester, NY) Authors and Producer Bajorek speak at Penfield Public Library’s “March into Arts” series on “How a show gets to Broadway.” April, 2008: (Rochester, NY) Broadway performer Colin Donnell is a hit as Mr. Darcy at a presentation at The Chatterbox Club. June, 2008: (Rochester, NY) Producer Lori Bajorek rents Eastman Theatre for a one night-only preview on October 21, 2008. July 14, 2008: (Rochester, NY) Press conference to announce the Eastman Theatre event takes place at Max of Eastman Place. A special sneak peek performance features Broadway performers Colin Donnell, Donna Lynne Champlin and Juliana Hansen. July 28, 2008: (St. Louis, MO) Backers’ audition takes place, featuring Colin and Juliana.
August 4, 2008: (NYC) Backers’ audition
featuring Sebastian Arcelus (Jersey Boys) and Juliana, hosted
by Donald and Ann Farber.
August 28, 2008: (Rochester, NY)
Producers hold ensemble auditions for Rochester performers. Three
finalists are flown to NYC for auditions.
September 3-5, 2008: (NYC) Auditions
take place for Rochester preview.
October 5, 2008: (Chicago, IL) Authors
and Broadway performers close out JASNA annual general meeting.
October 6-19, 2008: (NYC) Rehearsals take place for Rochester
preview.
October 21, 2008: (Rochester, NY)
Red-carpet Eastman Theatre event gives Rochester a first look.
April, 2009: (NYC) Three-week workshop in
NYC.
November, 2009: (NYC) Target date for
Broadway opening.
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